Reading and Writing with Evidence: Grade 4 ELA
This is a year of teaching a fourth-grader to back up what they say about a story or article with actual lines from the text, not vibes. They learn to figure out what a story is really about underneath the plot, to shrink a long article into a true short version instead of a retell, to notice when a chart is technically true but misleading, and to write three kinds of paragraphs — opinion, informative, narrative — that stay on topic. By the end they should be able to look at a mixed bag of reading and writing tasks and figure out on their own what kind of thinking each one wants.
Unit 1: Reading Between the Lines: Inference with EvidenceThis unit teaches your child to build a conclusion from a specific quoted sentence, not from a feeling or from outside knowledge. Last year they could find a sentence someone else pointed them to; this year they pick their own evidence and explain how it supports their claim.8 skills ▸close ▾
- Inference or just a guessStudents distinguish an inference supported by a quoted sentence from a claim with no textual support.
- Quoting the exact sentenceStudents quote the exact sentence from a short passage that supports a given inference.
- Make your own inferenceStudents generate their own inference from an unstated clue and identify supporting text.
- Connecting quotes to claimsStudents explain in one sentence how their quoted evidence connects to their claim.
- Two inferences, one sentenceStudents compare two different, text-supported inferences drawn from the same sentence.
- Context clues for new wordsStudents identify the meaning of an unfamiliar word using context clues in a sentence.
- Does the quote fitStudents judge whether a classmate's quoted evidence actually supports the stated claim.
- Inferences in a new textStudents construct a claim-and-evidence response to an inference question in a brand-new, unpracticed passage genre.
Unit 2: What the Story Is Really About: ThemeThis unit teaches theme as an idea about life — different from the topic (what it's about in a few words) and different from the plot (what happened). Kids learn that what a character chooses to do, not what a narrator says, is the real evidence for theme.7 skills ▸close ▾
- Topic or themeGiven a story's topic stated in 3 words or fewer, state whether a candidate sentence is a topic or a theme statement.
- Character choices show valuesIdentify a character's choice in a fable that reveals what the character values.
- Theme from a fable's moralWrite a theme statement, as a full sentence about life, for a fable with an explicitly stated moral.
- Theme without a stated moralWrite a theme statement for a realistic story with no explicitly stated moral, using two character choices as evidence.
- More than one themeCompare two different, defensible theme statements written by classmates for the same story, judging whether each is supported by quoted evidence.
- Matching evidence to a themeSelect the two strongest quoted pieces of evidence, from four candidates, to support a given theme statement.
- Theme in a new storyWrite a paragraph stating a theme for a complete short story not read in class, supported by two pieces of quoted evidence.
Unit 3: Whose Story Is It: Summarizing and SourcesTwo skills here: writing a true summary instead of a retell, and telling firsthand from secondhand accounts to reason about what a source could actually know. The unit ends by mixing both skills together on new texts, since real life doesn't label which skill a task wants.8 skills ▸close ▾
- Main idea and key detailsSort a list of details from a short text into 'needed for main idea' and 'not needed' with at least 5 of 6 correct.
- Writing a short summaryWrite a summary of a text under 100 words, in 25 words or fewer, that states the main idea and omits minor details.
- Summary versus retellExplain why a retell and a summary of the same text differ, citing what each includes or omits.
- Firsthand or secondhand accountsClassify a short account of an event as firsthand or secondhand based on the teller's position.
- What each source could knowExplain one specific difference in what a firsthand account and a secondhand account of the same event could know, citing text.
- Point of view in nonfictionIdentify how a nonfiction writer's point of view (firsthand or secondhand) shapes the details included in their account.
- Summarizing or judging sourcesGiven a new, unfamiliar informational text about a real historical event, decide whether the task calls for summarizing or for judging source type, and complete it.
- When true accounts disagreeCompare two true accounts of the same real event that disagree in a detail, and infer a reason for the disagreement based on each writer's position.
Unit 4: One Story, Three Shapes: Poem, Drama, ProseThis unit treats structure — stanza and line, scene and dialogue, paragraph and narration — as a real choice an author makes, not decoration. Kids compare the same event told as a poem and as prose and figure out what each version reveals or leaves out.8 skills ▸close ▾
- Stanzas and lines in poemsIdentify the stanza and line structure of a given poem by marking where each stanza begins and ends.
- Scenes and dialogue in playsIdentify scene breaks and dialogue tags in a short play script.
- What stage directions tell usExplain how a stage direction adds information that dialogue alone does not provide.
- Comparing a poem and proseCompare what a reader learns from a poem versus a prose account of the same event, using a two-column evidence chart.
- Telling theme from topicDetermine a theme statement for a poem and for a prose story, distinguishing theme from topic in each.
- Structure changes what we knowGenerate a claim about one way structure changed what a reader could know, supported by evidence from both a poem and a prose text.
- Why an author picks dramaInfer why an author chose drama rather than poem or prose to tell a specific unfamiliar event, with no prior example of that event in any genre.
- Spotting poems, plays, and proseClassify a short unfamiliar text excerpt as poem, drama, or prose based on structural features alone.
Unit 5: Reading a Page That Isn't All Words: Visual InformationThis unit teaches reading charts, diagrams, and timelines as real sources of information, not decorations next to the text. The turn in this unit is that a chart can be entirely true and still give a misleading impression through its axis, scale, or missing labels.9 skills ▸close ▾
- Parts of a bar chartStudent identifies the title, axis labels, and key of a given bar chart.
- Chart, diagram, or timelineStudent sorts a mixed set of visuals into chart, diagram, or timeline by naming the one feature that identifies each type.
- What diagram labels addStudent states one fact shown by a diagram's labels that is not stated in the paragraph next to it.
- Reading spacing on timelinesStudent orders events from a timeline and states which two events happened closest together in time, using spacing as evidence.
- Finding a chart's main patternStudent writes a one-sentence summary naming the overall pattern shown by a bar chart, not a list of its numbers.
- Choosing text or chartStudent answers a question about a stated fact by choosing correctly between a paired text and chart, citing which source held the answer.
- When a chart axis misleadsStudent explains why a chart with a broken (non-zero) axis can make a real difference look bigger than it is, even though every number on it is true.
- Which chart is more honestStudent decides which of two differently-designed but factually true charts about the same unfamiliar data gives a more honest impression, and justifies the choice in writing.
- Using text and chart togetherStudent integrates a stated fact from an informational text with a stated fact from its paired chart to answer a question that requires both.
Unit 6: Writing to Inform and Writing to PersuadeTwo on-demand paragraphs this unit: an opinion paragraph with two reasons, and an informative paragraph with three grouped facts. Both have to cite a source and stay on topic. This is where the reading skills from earlier units become the raw material for writing.9 skills ▸close ▾
- Opinion or factGiven a topic sentence, tell whether it states an opinion (a claim someone could disagree with) or a fact.
- Good reasons and strong feelingsSort a set of reasons into 'good reason' (points to evidence) and 'strong feeling' (states emotion only), explaining the difference for at least one pair.
- Writing an opinion paragraphWrite an opinion paragraph that states a claim and defends it with two reasons, each supported by a quote or fact from a provided source.
- Sorting facts into groupsSort a list of facts about one topic into two or three groups by what they have in common.
- Writing an informative paragraphWrite an informative paragraph with an introduction, three grouped facts, and a conclusion, staying on the stated topic throughout.
- Sentences that do not belongIdentify a sentence in a draft paragraph that does not belong because it drifts off topic.
- Firsthand and secondhand factsDistinguish a fact stated directly by a primary source from a fact reported secondhand about that source, when gathering research for an informative paragraph.
- Fixing run ons and fragmentsCorrect run-on and fragment sentences in a peer or self-drafted paragraph using a taught combining or splitting rule.
- Writing about a new topicGiven a new short source text on an unfamiliar topic, plan and draft an opinion or informative paragraph without a class model of that exact topic.
Unit 7: Writing to Tell a Story: Narrative CraftFour craft moves, taught one at a time with a full worked example before independent practice: putting events in order, writing dialogue that matters, adding sensory description, and planning toward an implied theme rather than bolting one on at the end.9 skills ▸close ▾
- Putting story events in orderGiven a jumbled set of 5-6 event cards from a shared story, arrange them into a logical sequence.
- Punctuating what people sayPunctuate a set of unpunctuated dialogue lines with correct quotation marks, commas, and capitalization, using the exact rules and examples modeled in class.
- What characters want in dialogueWrite dialogue for a given scene that reveals what a character wants, choosing lines that would change if deleted.
- Words that show time passingSelect transitional words that match the amount of time actually passing between two given events.
- Describing with your sensesAdd one sensory description detail to a bare sentence that helps a reader picture the setting.
- Making choices match the themePlan a story event where a character's choice matches a theme the student states beforehand.
- Write your own short storyDraft a 5-8 paragraph narrative combining sequence, dialogue, description, and transitions around one clear event.
- Finding a story's themeState in one sentence the theme a finished, unfamiliar short narrative (not one the class wrote) implies.
- Revising flat sentencesRevise one paragraph of a draft by replacing at least one flat sentence with a dialogue line or sensory detail.
Unit 8: Putting It Together: Mixed Reading and Writing TasksNo new content here — this unit mixes everything from Units 1 through 7 so your child learns to choose the right tool, not just execute whichever one they were told to use. Expect a dip in performance during the mixed practice days; that's the mixing working, not a sign anything broke.9 skills ▸close ▾
- Clues in reading questionsGiven an unlabeled question about a text, name whether it requires inference, theme, or summary.
- Proving inferences with text evidenceCite text evidence to answer an inference question in a mixed passage set.
- Features of each writing typeName the three writing modes (opinion, informative, narrative) and one required feature of each, from memory.
- Supporting a theme with evidenceState a theme for a story and support it with two pieces of textual evidence.
- Summarizing text and chartsWrite a summary of an informational text that includes a chart, using only the main idea and key details.
- Clues in writing promptsGiven an unlabeled prompt, decide whether it asks for opinion, informative, or narrative writing.
- Writing to match the promptDraft a short opinion, informative, or narrative piece matching the mode a prompt requires.
- Which account can you trustCompare a firsthand and secondhand account of the same event and judge which is more reliable for a specific question.
- How prompts point to strategiesExplain why a chosen reading strategy or writing mode fits a given prompt, citing the specific clue in the prompt.
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